How were bebop harmonies different than swing era harmonies?

Bebop differed drastically from the simple compositions of the swing era and, on the other hand, was characterized by fast tempo, asymmetrical phrasing, intricate melodies and rhythmic sections that expanded its role as guardians of rhythm. Bebop was mainly played by small groups (combos). A typical bebop combo is composed of two horns (e.g., although it is normally a quintet, bebop combos can vary in size from three pieces (e.g., in Big Band Swing the focus is on the arrangement and performance of the ensemble, in bebop the focus is on the solo). The band is the perfect setting for presenting soloists, that is, Bebop, largely developed through improvised sessions.

Bebop is much more musically complex than its predecessor Big Band Swing. Bebop harmonies (chords) are more complex. Tempos tend to be much faster (although the bebop style can be played at any pace). Bebop heads are more intricate and difficult to play than normal melodies.

Bebop musicians improvise much more complex solos than those from the Swing Era. Bebop requires musical virtuosity and artistry to play it. Whereas Big Band Swing was considered entertainment (that is, the Bebop musicians considered themselves artists, not simply artists). Bebop was primarily an African-American invention.

The most important scat singer was Ella Fitzgerald. Recruiting: Many jazz musicians were called to war, leaving few at home. Transportation to reach nightspots outside the city limits was difficult due to the shortage of gasoline (gasoline rationing), the shortage of tires (rubber rationing) and the dismantling of urban and interurban railroads. Racism and segregation were widespread in the United States during the swing and bebop eras.

It explored new directions and uncharted territory It was separated from the mainstream of the United States In the history of entertainment, many artists have faced addiction to alcohol and drugs. In the case of young jazz musicians, some, in their struggle to deal with racism, oppression and other related problems, became addicted to alcohol and drugs; others, in fact, died due to alcohol and drug abuse. Jazz greats who overcame their addictions have stated, contrary to popular belief, that alcohol and drugs never improved their musical performance.